The morning was spent finally posting a handful of canisters into my Etsy shop.A little cone 6 crawl...

I'm still sorting through and cleaning up works from the latest soda firing while I get caught-up with all of the gardening. There's a good amount of sell-able works, a few racers that I'll pull aside for summer exhibitions, and there is a fairly sizable number of losses. It's a fair trade for a first attempt at soda.
Ok… It’s been nearly 2 weeks since I last had a good opportunity to share what’s been going on around the studio. It’s been busy, busy, busy for us here. The monkeys have all finally been cleared away from the wax bench and I’ve been working on new work and spruing up wax trees for a silver pour. I was hoping to squeeze a pour in before today, but the incessant rain this week hasn’t helped.
It did give me a little extra time to mix up some new test glazes and design, cut, and test a new group of paper stencils for my local summer markets. Ferns, gears, and bones… ooooh the anticipation is killing me!
yeah right...
I've been patiently letting this winters cairns dry over the past 2 months. Three of Decembers cairns were dry enough to begin working their way though the kiln earlier this week.
Even with long slow bisque, I was waiting to hear the "PoP!" in the middle of the night. The bisque was Wednesday, and I fired off the second leg of the project last night. This was the first glazing for the 3 works. One was designed as a multi-fired piece, needing at least one more trip through. Another has options... involving decals and a re-fire. The 3rd is what's shown here and might stop at this point, or I might try a low-fired blob of lipstick red crowning it's top. That's the problem with sculptural works... lots of fidget room.

This is a quick posting showing what the studio is throwing on the pile for this season’s group exchange. They’ve decided to make and exchange bisque stamps this time; I love stamps, so naturally I wanted in on this project. I guess mine are should be considered sprigg moulds rather than stamps, but hey… I’ve always been difficult.
The spring shows are getting into gear here in Northern Cali. They are popping up like winter Hyacinths. I know technically its still winter somewhere else… but hey, the trees are budding to bloom in a week so it’s spring for me! I got a little thrown off my step two weeks ago with a surprise call to travel back home for a family funeral and missed the shipping dates for 3 major shows in one swoop. Doh! 
I’m not hoping to win any prizes, but I did price to sell. I’d be nice to cover the cost of the entry fee and gas to get there. Still, it’s fun to play in someone else’s sandbox.







What do you say if the local gallery asks you to produce 250 bowls in 60 days?They’ll pay for the materials, the firing costs, provide floor space at their gallery to host a spring show, and even feed you at a fantastic gourmet soup feed surrounded by 250 local patrons of the arts.
I say “YES!”
Since 2002 I’ve been part of the stable of ceramicists that have helped contribute to this event. I’ve always looked forward to this event, being very happy to be just part of the background.
It’s always been an amazing opportunity to explore and develop new ideas for surface designs and forms. It’s a project that’s never failed to propel me forward into a new year.
This year was something very new though… they asked me to recruit and organize the ceramic artists needed for this year’s event and I’ve found 10 amazing local ceramic artists to stand with me so far. With 27 days left, and over 200 plus pieces still in green ware, we’ll see how this all works out. 
You’ll be hearing more about this as the due date February 6th approaches.
Stay Tuned…
Swinging the hammer of judgment is one of the most anticipated yearly studio activities for a lot of potters.

