Thanks’ Joe!













This project spun out of this winter’s bowl marathon for the Tidewater Gallery’s annual soup feed. I throw about 7 batches total, 10 to 17 bowls at a time and break these down into smaller separate groups for handling the surface decoration. This is how I generally prefer to create my work. I enjoy working in series of 5 -
15 pieces at a time, this lets me explore any new idea or technique a little before drawing any initial conclusions and making any changes in my approach.
consistency of a thick heavy cream. The sodium silicate lets the clay platelets to slide over each
other easier so I don’t have to add so much water to the mix to get the slip to the consistency I want.
After the stenciled design has dried sufficiently to gently handle, I invert the bowl and pour the slip over the upper half.
What do you say if the local gallery asks you to produce 250 bowls in 60 days?They’ll pay for the materials, the firing costs, provide floor space at their gallery to host a spring show, and even feed you at a fantastic gourmet soup feed surrounded by 250 local patrons of the arts.
I say “YES!”
Since 2002 I’ve been part of the stable of ceramicists that have helped contribute to this event. I’ve always looked forward to this event, being very happy to be just part of the background.
It’s always been an amazing opportunity to explore and develop new ideas for surface designs and forms. It’s a project that’s never failed to propel me forward into a new year.
This year was something very new though… they asked me to recruit and organize the ceramic artists needed for this year’s event and I’ve found 10 amazing local ceramic artists to stand with me so far. With 27 days left, and over 200 plus pieces still in green ware, we’ll see how this all works out. 
You’ll be hearing more about this as the due date February 6th approaches.
Stay Tuned…

What a difference a year can make!



