I really love this design from the last half of 2015.
Definitely an image that's loaded with more meaning than I probably should share just yet.
Needless to say, it's not just a rooster under the stars. It's much, much more personal than that for me.
Definitely an image that's loaded with more meaning than I probably should share just yet.
Needless to say, it's not just a rooster under the stars. It's much, much more personal than that for me.
I've been running a short list of cone 6 glaze tests the past few weeks using this design and the Compass Rose motif.
What started out as easily readable quickly went to place that required a more participatory role of the audience.
What started out as easily readable quickly went to place that required a more participatory role of the audience.
Pictures, even high resolution pictures, don't convey the jeweled depth of these surfaces.
It devolves (or evolves) into a game of obscura, where the viewer holding the work is the only one that's in a position to puzzle apart the design.
It devolves (or evolves) into a game of obscura, where the viewer holding the work is the only one that's in a position to puzzle apart the design.
It's a game that connects the artist, the work, and the person holding the yumoni. It's a subtly intimate game that, when done right, teases.
1 comment:
I really love the rooster and stars piece. Imagery that comes from a personal place is powerful. There is energy that comes through even if the person who is looking at the piece doesn't know the story. It's good stuff I think. Something I would like to delve into a bit more with my current work.
As far as photographing the other piece. Maybe those pots just have to be seen in person to sell. That's certainly not a bad thing if you have a place to do so. Of course reaching more people is possible with a photo. And even if it's not the best photo maybe the people meant for those pots will get it b/c they see better. Or take the time to really look.
Ok. Ha. Great pots man!!
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