Question marks are what keeps things interesting when we play with glaze and fire. Tara brought this glaze into the studio. It's a
Laguna Chun.
It's a semi-opaque glossy glaze that is transparent when applied thinly.
The first test went through the kiln gave a translucent finish.
This time through it did something very unexpected...
It's just a guess, but I'm thinking a reaction to the iron in the clay body and a long heavy reduction started bringing out the reds, or maybe it's just the cobalt acting in a way I haven't seen before, I'm just shrugging on this one.