The cut-wax linework and black wash blasted through a simple dip in the studio Shino.
Thick, it was nice... thin looked good too, but dipped and poured, the strength of the linework using Jessica's black wash just gained from the varied readability of glaze thickness.
This second muted example uses a Black Englobe to inlay the lines.
Muted or strong, either of the two blacks work for me.
Dark Dark Dark.
ReplyDeletelove them pots....
ReplyDeleteHaven't tried incising through wax on shinos - looks fantastic - will have to try it to add a third dimension to my applique work with shinos and wax.
ReplyDeleteThanks for amazing post .
ReplyDelete